‘Dune: Part Two’ Fulfills the Prophecy of ‘Dune’
The second a part of Denis Villeneuve’s Dune adaptation, effectively titled Dune: Part Two, incorporates a single line that’s as a lot about followers of Frank Herbert’s guide as it’s about its protagonist, Paul Atreides. It’s delivered by Chani, Paul’s concubine in Herbert’s novel and equal/skeptic in Villeneuve’s meticulously crafted reimagining. “You want to control people?” Chani says, rhetorically. “Tell them a messiah will come. They’ll wait. For centuries.”
Dune acolytes didn’t have to attend for hundreds of years, however the anticipation for a well-executed, trustworthy adaptation of Herbert’s 1965 guide is the stuff of legend. Chilean director Alejandro Jodorowsky tried and did not make the movie within the Seventies. David Lynch made one within the ’80s that’s a camp basic however struggles to remain coherent. Sprawling and complicated, Dune’s pages carry an all-but-unfilmable weight. Unfilmable to anybody however Villeneuve.
Except, in Villeneueve’s eyes, Paul isn’t a messiah. That’s the trick. Dune: Part Two fulfills the prophecy of what Dune may be moderately than what it was. For years, the Dune novel has been handled, by administrators, and plenty of readers, as a hero’s journey—the hunt of a younger man in a wierd land who saves the individuals of the resource-rich planet Arrakis, the Fremen, from international rule whereas figuring out some Freudian points alongside the best way. Swap in Luke for Paul and Darth Vader for Baron Harkonnen and it’s Star Wars all the best way down (although Dune did it first). No rigidity, only a blink of inner battle, after which Paul—the messiah, the Lisan al Gaib—rides to the rescue on the again of a sandworm.
Dune: Part Two, selecting up the place 2021’s Dune left off, buffs out the white-savior sheen of that telling of the story. Instead it presents Paul (Timothée Chalamet) as a man conscious that his hero standing is simply the results of many years of myth-building by his mom, Jessica (Rebecca Ferguson), and the Bene Gesserit (principally, house witches). They’ve been promising the Fremen a savior for years, and when Paul arrives and Stilgar (Javier Bardem) begins yammering on about prophecies fulfilled, Lisan al Gaib whispers to his mother, “Look how your Bene Gesserit propaganda has taken root.”
Jessica’s position, just like the one among Chani (Zendaya), has way more dimensions in Dune (the films) than it did in Dune (the guide). Villeneuve instructed me this deepening of womens’ views would occur again earlier than he even launched the primary installment. He needed equality between the genders, and for Harkonnen to not be a caricature, like Ursula on a way-worse energy journey. “The book is probably a masterpiece,” he mentioned after I spoke to him in 2021, “but that doesn’t mean it’s perfect.” Its heteronormative patriarchal shortcomings offered house for him to discover. Chani now fills the position of warrior who refuses to bow to her boyfriend and doesn’t purchase the messiah bullshit. Paul, as my colleague Jason Kehe so succinctly put it when connecting the dots between Dune and Burning Man celebrants, goes “into the desert, becomes a messiah, and ends up a goddamn monster.”
