French riot cops conflict with migrants as they FINALLY clear Paris theatre occupied by tons of of homeless asylum seekers who had been invited to a free present and stayed for weeks
- This story is developing, more to follow
French riot police clashed with migrants and their supporters today as they cleared a Paris theatre occupied by hundreds of homeless Africans.
Violence broke out outside the Gaîté Lyrique – one of the French capital’s most historic arts venues – soon after dawn on Tuesday morning.
Mainly young men have moved in since last December when the management gave them free tickets to a ‘Refugees Welcome in France’ conference.
Performances were soon cancelled – losing the theatre thousands in revenue – as makeshift beds were placed around the stage and auditorium.
Until today there were 446 people living inside illegally, most of them claiming they are minors under the age of 18 who deserve permanent housing.
CRS (Republican Security Companies) officers gathered outside the theatre at 5am on Tuesday, and then moved in at 6am.
‘There were immediate clashes with protesters who were shouting at them, and trying to stop them getting into the theatre,’ said a local resident who was at the scene.
‘Police responded with tear gas and baton charges, and there were some injuries.’

A judge at the Paris Administrative Court ordered the evacuation of the building on February 13, but the council initially refused to involved the police

The number of migrants occupying the theatre rose to around 440 before it was raided

Until today there were 446 people living inside illegally, most of them claiming they are minors under the age of 18 who deserve permanent housing

The 1800-seat building that houses the current Gaîté Lyrique was built in 1862 and became celebrated for staging operettas by Jacques Offenbach

French police enter the Gaite Lyrique cultural center after evacuating unaccompanied minors from the site, in Paris, France, 18 March 2025

Migrants sit on the ground as people gather against police eviction of migrants from the Gaite Lyrique theatre after more than three months of their occupation, in Paris, France, March 18, 2025

People gather against police eviction of migrants from the Gaite Lyrique theatre after more than three months of their occupation, in Paris, France, March 18, 2025
Danièle Simonnet, a Left-wing Paris MP, attacked the ‘violent police intervention’ in a tweet published on X.
Law and order officials pledged action after those who run the theatre complained of ‘untenable promiscuity’ inside the theatre leading to increasing violence.
Management have already abandoned the building, because of fears about ‘fire safety, security, hygiene and cleanliness, maintenance, and waste collection.’
In a statement, they warned of an ‘explosive and undignified situation’ that was ‘increasing in severity’.
Beyond fights breaking out because of sexual tensions, migrants have been seen dealing and using drugs.
Staff have been acting as ‘on-site security guards, even though this is neither their skill set nor their job,’ says the statement.
Despite this, the statement said staff have also been ‘welcoming and sheltering the occupants’.
The theatre is owned by the City of Paris, which is dominated by Socialists and Greens.

Mainly young men have moved in since last December when the management gave them free tickets to a ‘Refugees Welcome in France ’ conference


Police clashed with protesters in the streets of Paris

Danièle Simonnet, a Left-wing Paris MP, attacked the ‘violent police intervention’ in a tweet published on X

Law and order officials pledged action after those who run the theatre complained of ‘untenable promiscuity’ inside the theatre

Management had already abandoned the building, because of fears about ‘fire safety, security, hygiene and cleanliness, maintenance, and waste collection’

Local businesses complained of losses due to the occupation

Violence broke out outside the Gaîté Lyrique – one of the French capital’s most historic arts venues – soon after dawn on Tuesday morning
A judge at the Paris Administrative Court ordered the evacuation of the building on February 13, but the council initially refused to involved the police.
The migrants were being supported by political activists even more Left-wing than the theatre’s management.
Calling themselves the Collectif des Jeunes du Parc de Belleville – after a Parisian park – they view the occupation as being part of the ‘anti-racist and anti-colonial struggle’.
But local businesses complained of losses due to the occupation.
‘They are ruining my business,’ the manager Elia, herself the daughter of Algerian migrants, told The Times in December.
‘They hang around outside my terrace, smoking joints and fighting among themselves. Not only do we no longer get theatregoers because the theatre is shut but we don’t get passers-by either. They’re being frightened away by all these young men.’
The bistrot next to the 19th-century venue, a popular spot for theatregoers to eat and drink before and after shows, has reported €30,000 in lost revenue so far.
The 1800-seat building that houses the current Gaîté Lyrique was built in 1862 and became celebrated for staging operettas by Jacques Offenbach, the German-born French composer, in the 19th Century.

CRS (Republican Security Companies) officers gathered outside the theatre at 5am on Tuesday, and then moved in at 6am

An isolated minor sitting on a chair and sleeping with his arms on a table during the occupation

Pictures from inside the theatre show people sleeping on tables in cramped conditions
On November 1, France reinforced its borders with six of its neighbouring Schengen members – Belgium, Germany, Italy, Luxembourg, Spain and Switzerland – with increased checks.
The controls were applied to travellers entering France via land, sea and air routes from all six nations and will last until April 1, 2025 – but authorities have said they could be extended further.
A French government statement declared the checks were introduced due to ‘serious threats to public policy, public order, and internal security posed by high-level terrorist activities… criminal networks facilitating irregular migration and smuggling, and migration flows that risk infiltration by radicalised individuals’.