As the birthplace of prestige TV shows like The Sopranos and The Wire, HBO—and, by extension, Max (aka the streamer formerly known as HBO Max)—is best known for its impressive lineup of original series. The network has also been upping the ante with feature-length content that is the stuff of Oscar dreams. However, because Max is not (yet) a production powerhouse like, say, Netflix, hundreds of great movies come and go each month. So if you see something you want to watch, don’t let it linger in your queue for too long.
Below is a list of some of our favorite films streaming on Max—from iconic Westerns to recent Oscar nominees you’ll see near the top of any Best Movies of the Year list. If you decide you’re in more of a TV mood, head over to our picks for the best shows on Max. If you’re looking for even more recommendations, check out our lists of the best movies on Netflix, the best movies on Amazon Prime, and the best movies on Disney+.
MaXXXine
MaXXXine is the third film in writer-director Ti West’s X trilogy, which began with X and Pearl. It’s set immediately after the events of Pearl: Mia Goth’s Maxine Minx is desperate to escape her upbringing as a preacher’s daughter and make the move from porn to more mainstream movies. She gets her chance when she lands the lead in a horror movie, The Puritan II. Then her friends start getting murdered. Ultimately, Maxine is forced to confront the sins of her past and find a way to achieve the fame she so desperately dreams of.
A Nightmare on Elm Street
Before Freddy Krueger (Robert Englund) was a wise-cracking horror movie caricature, he was a downright terrifying villain. Nancy Thompson (Heather Langenkamp) is a seemingly normal teen who suddenly finds herself plagued by nightmares of a man with knives for hands. Oddly, she learns that her best friend Tina (Amanda Wyss) and boyfriend Glen (Johnny Depp) are being haunted by the same man in their own dreams. So she does what any rational teen would do: consumes as much coffee and caffeine pills as she can to ensure that she doesn’t fall asleep. But when her best friend is brutally murdered, Nancy decides that the only way to make it stop is to set a trap to pull this bogeyman out of her dreams and into the real world. Which, on second thought, may not have been the best idea. While the franchise (which now consists of nine films) took on a sillier tone in later outings, Wes Craven’s original entry—which is celebrating its 40th birthday this year—still holds up as a genuinely creepy tale of the danger that can find us when we’re at our most vulnerable.
Civil War
In the not-too-distant future, the United States has transformed into an all-out battlefield between an authoritarian government, headed by a third-term president (Nick Offerman), and a stream of secessionist movements that threaten to destroy the country as we know it. But a group of journalists (led by Kirsten Dunst) are determined to document the downfall of America at any cost, so they set about heading to the White House in order to interview the embattled president. Which is much easier said than done. Oscar nominee Alex Garland (Ex-Machina) writes and directs this dystopian drama that often hits uncomfortably close to home.
Furiosa: A Mad Max Saga
Furiosa may been dubbed the summer’s first box office “bomb” when it arrived in theaters in May, but don’t let those dollar-focused headlines deter you from this one. Anya Taylor-Joy, who is undoubtedly one of the most versatile actors working today, shines in the role of Imperator Furiosa, a badass emancipator who dares to challenge gender conventions in a dangerous, postapocalyptic world where (no surprise at all) men make the rules. Taylor-Joy does an admirable job embracing the role that Charlize Theron memorably originated in Mad Max: Fury Road (which is also streaming on Max).
Drive My Car
Despite earning four Oscar nominations in 2022—and winning one for Best International Feature Film—it still feels entirely accurate to state that Ryûsuke Hamaguchi’s Drive My Car remains woefully underseen. Here’s your chance to do your part to fix that. Yusuke Kafuku (Hidetoshi Nishijima) ia a renowned theater director still reeling from the death of his wife. Eventually, he makes the decision to begin working again and agrees to a two-month residency to direct a play in Hiroshima, an hour from his home. So each day, a young woman (Toko Miura) drives him to and from the theater. All that time spent in a confined space together eventually leads to a friendship—one where Kafuku feels comfortable sharing the challenges he is facing with his new project and, eventually, the truth about the way in which his wife betrayed him. Road movies have never felt so intimate—or leisurely.
Beetlejuice
Nearly two months after its release, Beetlejuice Beetlejuice, Tim Burton’s long-awaited Beetlejuice sequel, is still delivering at the box office. So why not take a journey back to 1988, where the story of the havoc-wreaking “bio-exorcist” (aka Betelgeuse) began. Michael Keaton is at his zany best as the troublesome spirit hired to help a recently deceased couple (Alec Baldwin and Geena Davis) use their ghostly powers to scare away the obnoxious family that has moved into their dream house.
Love Lies Bleeding
English writer-director Rose Glass follows up her BAFTA-nominated Saint Maud with this twisty, hyper-violent love story. It’s 1989 in a rural New Mexico town where gym manager Lou (Kristen Stewart) is doing her best to stay under the radar and keep an eye on her sister Beth (Jena Malone), who is in an abusive relationship with her husband JJ (Dave Franco). But Lou’s life is turned upside down when Jackie (Katy O’Brian), a gorgeous young bodybuilder, begins coming to Lou’s gym to train for an upcoming competition in Las Vegas. The two fall in love—and then Lou’s hidden family secrets come tumbling out of the closet and threaten her life, and the lives of those she cares about.
Faye
“I’m Faye Dunaway. That’s who I am.” That’s the way the star introduces herself in the trailer for Laurent Bouzereau’s feature-length documentary. But what the film reveals is that there’s a lot more to Faye Dunaway than the glamorous image associated with the Oscar-winning star of Network. Dunaway opens up in a way that has rarely been seen before, discussing her childhood and family, her struggles with bipolar disorder, and how the characters she has played continue to impact her. It’s a fascinating portrait of a true Hollywood icon.
Quad Gods
Jess Jacklin’s feature documentary follows the fascinating journey of Blake, Prentice, and Richard—three individuals with quadriplegia who meet in a neuro-rehabilitation lab at Mount Sinai Hospital and launch a plan to create the world’s first all-quadriplegic esports team. It’s a noble pursuit, but one fraught with challenges as they break down the doors of ableism. At its heart, Quad Gods is a story of friendship, perseverance, and survival.
Babe
Talking animals. Does one need any more convincing? Babe is the heartwarming story of an adorable piglet who aspires to be a sheepdog—much to the delight of Arthur Hoggett (James Cromwell, who received an Oscar nod for the role), a farmer and Babe’s caretaker. But Babe is more than just a cute family movie; it’s cowritten and produced by George Miller (yes, the same George Miller of Mad Max fame), who brings an adult sensibility to the story. The film won an Oscar for Best Visual Effects and got six other nominations—including a nod for Best Picture.
Am I OK?
Lucy (Dakota Johnson) is a thirtysomething living in Los Angeles, constantly failing at relationships and wondering why she doesn’t have everything figured out yet. After drunkenly sharing the story of the time she kissed a female friend as a teen, she begins to realize that the problem in her love life might not be the men she’s choosing, but that she’s choosing men at all. Former Saturday Night Live writer Lauren Pomerantz penned the script for the film based on her own experience of coming out in her thirties. Tig Notaro and her wife Stephanie Allynne do an admirable job as codirectors, treating Lucy’s journey of self-discovery with the respect it deserves—and plenty of humor.
MoviePass, MovieCrash
For better or worse, millions of film fans will remember 2012 as the year of MoviePass. For $25 per month, you could basically live in a movie theater—which was great for audiences, not so great for movie theaters (which were already struggling), and eventually disastrous for the company itself. For anyone who still has their MoviePass, this revealing documentary tells the real story of all that went wrong behind the scenes, and shares the story of the unsung heroes who really did just want to create a product that movie lovers could embrace. By the way: If you do indeed still have your original MoviePass, this doc has made it a worthwhile piece of memorabilia—with some selling for north of $1,000.
Dune & Dune: Part Two
Since breaking through with the Oscar-nominated Incendies (2010), Denis Villeneuve has continued to prove that he’s one of the most talented filmmakers working today. As if making a Blade Runner sequel that didn’t suck wasn’t enough, Villeneuve then went on to crack the cinematic code on Frank Herbert’s Dune series—something that true visionaries like David Lynch and Alejandro Jodorowsky had attempted before him, albeit largely unsuccessfully. Both the 2021 original film and its sequel are streaming on Max—as is Lynch’s 1984 adaptation (which has become a bit of a cult classic over the years). The film follows the fate of the planet Arrakis—and its supply of melange, a unique spice and the most valuable substance in the universe—which rests in the hands of Paul Atreides (Timothée Chalamet), the untested son of a powerful duke.
Stop Making Sense
Forty years ago, Oscar-winning filmmaker Jonathan Demme and the Talking Heads revolutionized the rockumentary format with Stop Making Sense. The 1984 concert film was shot over the course of four performances at Los Angeles’ iconic Pantages Theatre, and made independently on a budget of just over $1 million, which David Byrne and company raised on their own. What makes it so memorable (in addition to Byrne’s iconic oversize suit) is the simplicity with which it is shot, allowing the band’s creativity to take center stage and lead audiences on an unforgettable journey that feels as much like a piece of performance art as it does a straightforward concert.
Mad Max
It’s very likely that even writer-director George Miller didn’t know what he was igniting with Mad Max. Mel Gibson stars as Max Rockatansky, a kind of police officer (in dystopian dramas, authorities aren’t so clearly defined) who is seeking revenge from a biker gang after the brutal murder of his wife and child. In the 45 years since, the film has morphed into a full-on, five-film franchise with another one in development. You can watch all of the released films— including 1981’s The Road Warrior, 1985’s Beyond Thunderdome, and 2015’s Fury Road—on Max now, too.
The Killing of a Sacred Deer
If you’re a fan of the absurdly dark work of Yorgos Lanthimos (The Lobster, Poor Things, Kinds of Kindness) or are just discovering the uncomfortable brilliance of Barry Keoghan, The Killing of a Sacred Deer has got your name written all over it. Steven Murphy (Colin Farrell) is a highly esteemed surgeon with a loving wife (Nicole Kidman) and children whose life is turned upside down after he befriends Martin (Keoghan), an awkward teen who Steven learns lost his father a few years earlier. What begins as a seeming act of kindness on Steven’s part soon turns into a truly demented version of Sophie’s Choice. As always, Lanthimos’ ability to mix humor with pathos remains unmatched—perhaps never more so than here.
The Zone of Interest
In 1943, Rudolf Höss (Christian Friedel) was the commandant of Auschwitz who spent his days playing god with the lives of the concentration camp’s innocent prisoners. But what happened when Höss went home? That’s the reality Jonathan Glazer’s Oscar-winning film examines, and the answer is: Not much. Höss lives right next door to the camp, in the so-called Zone of Interest, with his wife Hedwig (Sandra Hüller) and their five children. Within those four walls, they strive to build a dream life for their family—while the sound of gunshots, incoming trains, and furnaces being lit are just a part of daily life. Yes, it’s every bit as brutal—and necessary—as it sounds.
Black Swan
Natalie Portman gave what might very well end up being the defining performance of her career in this dark dance drama from Darren Aronofsky. Nina Sayers (Portman) is a dancer with the New York City Ballet whose entire life has been dedicated to her art, in large part due to her overprotective mother (Barbara Hershey), who was also a ballerina and pushes her daughter to have the career she wanted for herself. Nina’s life is turned upside down when she lands the lead in a new production of Swan Lake, only to realize that she’ll be splitting the part with the free-spirited Lily (Mila Kunis) who quickly becomes both the only friend Nina has ever really had and her most bitter rival. Soon, she descends into a dizzying madness that is reflected in Aronofsky’s directorial choices, which make the audience feel every bit of her emotions.
Good Time
Back in 2020, we named Good Time as one of the most underrated movies of the past 20 years, and absolutely still stand by that claim. Fortunately, as Robert Pattinson and the Safdie Brothers have continued to establish themselves as some of the most interesting actors (Pattinson and Benny Safdie) and directors (Benny again and his brother Josh) working today, more people have discovered the film, and even more will, now that it’s on Max. Connie Nikas (Pattinson) is a small-time criminal who is always looking for his next big score, and typically employs his developmentally disabled brother Nick (Safdie) as his partner. When a bank robbery goes wrong and Nick is nabbed by the police, Connie must fight for their survival. Much like Uncut Gems, which would later come to define the Safdies’ style (and is also now streaming on Max), Good Time is a fast-moving, visceral crime thriller that will have you on the edge of your seat as Connie works to reunite with his brother, whatever the cost.
Wonka
Timothée Chalamet stars as Willy Wonka in this perfectly entertaining origin story of Roald Dahl’s quirky chocolatier, directed by Paddington’s Paul King. While it doesn’t hit the same as Mel Stuart’s Willy Wonka & the Chocolate Factory—really, who could match Gene Wilder’s somersaulting candy maker?—it also far surpasses Tim Burton’s fairly needless 2005 remake.
Dream Scenario
Like Forrest Gump’s famed box of chocolates, you never know what you’re going to get from a Nicolas Cage performance. But he’s a one-of-a-kind actor whose roles tend to fall into one of two categories: totally transcendent, or scenery-chewing at its most voracious. Dream Scenario is very much the former, and has been heralded as one of the Oscar-winning actor’s best performances by some critics. Rightfully so. Cage stars as Paul Matthews, an unassuming biology professor who suddenly begins appearing in strangers’ dreams and achieves viral fame as a result of it. Like any good Cage performance, this one is multifaceted and examines the downside of sudden fame and what it really costs.
Dicks: The Musical
A24—the studio known for its edgy, award-winning indies like Moonlight and Ex Machina (which are both streaming on Max)—takes a dive into the musical genre with this adaptation of the off-Broadway hit Fucking Identical Twins (and you thought Dicks: The Musical was a raunchy title). Aaron Jackson and Josh Sharp cowrote and costar in this over-the-top musical as two coworkers who discover that they’re long-lost twin brothers, and they attempt to Parent Trap their parents (played by Nathan Lane and Megan Mullally). Megan Thee Stallion plays their boss. Anyone offended by an f-bomb—or dozens of them—might want to give this one a skip.
Barbie
Greta Gerwig is a master of breathing new life into old properties (see: Little Women). With Barbie, she has ignited a revolution. Barbie (Margot Robbie) is living her best life in Barbieland—until one day, when her perfectly plastic world, and heels, suddenly begin to collapse. To get her fabulous life back, Barbie must travel to the real world—well, Los Angeles—to determine who or what is causing her existential crisis. The film grossed nearly $1.5 billion worldwide, meaning you’ve already seen it. But even if you did, it’s absolutely worth a second watch—if only to lament its many Oscar snubs.
RoboCop
From Total Recall to Showgirls and back to Basic Instinct, director Paul Verhoeven has a track record almost unmatched in modern cinema. RoboCop, his dystopian take on law enforcement, is proof. Set in a bleak vision of Detroit overrun with crime, it follows a cop (Peter Weller) who gets fatally wounded and turned into, yes, a robot cop, who you might think is good at fighting crime, but of course is not. Some of the visual effects may look a little beat up now, but in 1987, they looked like the future. Also, if RoboCop leaves you wanting more, the film’s two sequels and 2014 reboot—none of which, sadly, were directed by Verhoeven—are also available on Max.
Albert Brooks: Defending My Life
Albert Brooks is a comedian’s comedian. Though he might be best known as the filmmaker behind such celebrated comedies as Defending Your Life, Lost in America, Real Life, and Mother, he’s also a brilliant actor (with an Oscar nomination to prove it). Brooks’ longtime pal Rob Reiner directs this charming documentary, which documents Brooks’ one-of-a-kind talent, with a stunning lineup of A-listers—including David Letterman, Steven Spielberg, Sarah Silverman, Judd Apatow, Chris Rock, Larry David, and Ben Stiller—all ready to sing his praises.
Reality
In 2017, an intelligence report about Russian interference in the 2016 US presidential election was leaked anonymously. One year later, former NSA translator Reality Winner (yes, that’s her real name) was sentenced to more than five years in prison for the crime—the longest sentence ever received by a government whistleblower. HBO’s reigning muse, Sydney Sweeney (Euphoria, The White Lotus), shines in this gripping true story, which plays out mostly in real time as the FBI knocks on the 25-year-old’s door and spends more than an hour questioning her.
Parasite
Even if you don’t care about awards, the fact that Parasite is the first—and still only—non-English-language movie to win a Best Picture Oscar should tell you something about the universality of its themes. The Kims, a family struggling to make ends meet, set their scheming sights on the Parks, a well-to-do family with plenty of problems of their own, but also plenty of money to muffle their dysfunction. At least for a time. Just when you think you know how class warfare is playing out in this black comedy, it changes course to reach an unexpected conclusion. As always, Bong Joon-ho knows just how to lead his audience down one path, only to open a trapdoor into another.
All the Beauty and the Bloodshed
Finding success in one’s lifetime might seem like the dream of every artist, but Nan Goldin has bigger ambitions. Though she’s a photographer by trade, she’s an activist by calling and has long used her camera to capture painfully intimate moments of America in crisis, including extensive work focused on the HIV/AIDS and opioid epidemics. But All the Beauty and the Bloodshed reveals the artist in conflict: Should she allow her work to be showcased in one of the prominent museums or galleries that have received endowments from the Sackler family—the Big Pharma family that many blame for America’s opioid crisis? It’s a moving portrait of an artist willing to risk it all for her beliefs.
The Dark Knight
First things first: All three of Christopher Nolan’s Batman movies are currently on Max, and binge-watching all of them in a row is certainly one way to spend an evening. But if you’re opting to watch just one, the second film in the series is the one to beat. Though Christian Bale’s Caped Crusader gets top billing, it’s Heath Ledger’s now-iconic performance as the Joker that makes The Dark Knight the most compulsively watchable Batman movie (even beyond Nolan’s entries). Though Ledger tragically passed away six months before the film’s release, he posthumously won a Best Supporting Actor Oscar for his villainous turn, in which he managed to find the perfect balance between dark humor and outright insanity.